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Why Hollywood Owes Richard Nixon an Oscar

by Ballard Quass, the Drug War Philosopher

February 27, 2019



Hollywood 1 owes Richard Nixon a posthumous Oscar. If the 37th president of the United States had not launched a paramilitary crackdown on the use of naturally-occurring substances in the early '70s, we would have no movies like the following:

American Gangster, Asian Connection, Bobby Z, Clockers, cocaine 2 3 Cowboys, Empire, L.A. Wars, Marked for Death, Scarface, Rush, etc. etc. - just add the "bullet-riddled" movie of your choice, especially those that focus on South American "scumbags" and their American nemeses, namely, those no-nonsense cops who openly laugh at the whole idea of due process and the other high-falutin legal protections that have been historically afforded to American citizens via the U.S. Constitution.

One typical Nixon-inspired classic is 2007's Walking Tall: Lone Justice, starring Kevin Sorbo. It follows the usual Drug War plot in which a pious American renegade launches a Pyrrhic war against a South American drug-lord/scumbag. Of course, hero Nick Prescott never stops to think that America itself has created these drug lords by outlawing the medicinal plants of Mother Nature in the first place and then blackmailing governments around the world to do the same lest they lose America's financial support. Instead, we get the usual morality tale based on a false narrative: righteous no-nonsense American trashes the Bill of Rights in order to give a South American scumbag what's coming to him.

The plots of all such DEA-glorifying flicks4 take Nixon's crackdown as a morally justified "given" and then proceed to vividly demonstrate all the violence that predictably results from such a crackdown, i.e., the violence to be expected when we take away a citizen's right to freely access the medicinal benefits of Mother Nature. A sane viewer of the above-mentioned agitprop can only wish that Director Tripp Reed had had an epiphany during the movie's filming and yelled: "Cut! Guys, what are we thinking? The real villain of this piece is Richard friggin' Nixon, not some opportunistic entrepreneur who merely took advantage of the lucrative black-market economy that that idjit of a president single-handedly created out of whole cloth!"

Nixon single-handedly created a whole movie genre by outlawing psychoactive plant medicines. His ghost accepted the award as follows:

"Frankly, all I was trying to do was to punish hippies, especially Timothy Leary 5 6 7 . I'd like to say that I had a new movie genre in mind, but that was really just 'so much gravy.' My main goal was to stop people from thinking outside the box with the help of psychedelics. The fact that I also was able to cause so much exciting bloodshed is a real bonus, though."


But say what you will, Richard Nixon created something else as well: i.e., a whole new genre of movies about foreign scumbags pursued by moral Americans. We might call it "the scumbag genre," for want of a better term.

But before Richard Nixon's political heirs step up to the podium to accept a posthumous Oscar on behalf of their movie-spawning forebear, let's be sure to accompany Nixon's Oscar with a multi-billion-dollar damage claim for all the lives that his War on Drugs has taken over the last half century. No one has yet calculated the full price tag for this carnage, but it has to be huge, since the Drug Policy Alliance reports 200,000 killed in Mexico's U.S.-inspired Drug War alone, and that figure just covers the period from 2006 to the present. Even as we speak, the fascist Duterte of the Philippines is working to beat that record, racking up 12,000 drug-war deaths in his country in the last three years alone (i.e., since 2016).

Let's not forget the millions of lives ruined yearly by arrests for mere possession of natural substances, a sort of pre-crime punishment used by the Drug Warrior to enforce Christian Science orthodoxy in America.

So hats off to Richard Nixon, the unsung hero of American cinema, whose crackdown on the rights of the individual resulted in a whole new exciting movie genre about Drug War "scumbags."

PS After the Academy gives this long-overdue recognition to Tricky Dick, they should consider awarding a second honorary Oscar to New York Congressman Francis Burton Harrison. Francis was the visionary politician who first decided that Americans could not be trusted to use naturally-occurring medicines as they saw fit. It's thanks to his tireless work in outlawing opium 8 in 1914 that Americans gave up their right to Mother Nature's pharmacopeia in the first place, thus empowering anti-scientific conservatives like Richard Nixon to crack down further just a half century later, thereby creating a whole new genre of scumbag-busting movies that continue to triumph at the box office to this very day!

*drugwarmovies 9 10 *


Notes:

1: Blast-off for Planet Hypocrisy! DWP (up)
2: Sigmund Freud's real breakthrough was not psychoanalysis DWP (up)
3: On Cocaine Freud, Sigmund (up)
4: Glorifying Beneficial Drug Use DWP (up)
5: The Politics of Ecstasy Leary, Timothy, 1980 (up)
6: The One Thing that Timothy Leary Got Wrong: a philosophical review of The Politics of Ecstasy DWP (up)
7: Timothy Leary was Right DWP (up)
8: The Truth About Opium by William H. Brereton DWP (up)
9: Glenn Close but no cigar DWP (up)
10: Running with the torture loving DEA DWP (up)







Ten Tweets

against the hateful war on US




Most psychoactive substance use can be judged as recreational OR medicinal OR both. The judgements are not just determined by the circumstances of use, either, but also by the biases of those doing the judging.

Almost all talk about the supposed intractability of things like addiction are exercises in make-believe. The pundits pretend that godsend medicines do not exist, thus normalizing prohibition by implying that it does not limit progress. It's a tacit form of collaboration.

When Rick Strassman and Michael Pollan call for continued prohibition to protect young people, they ignore the ENORMOUS fact that prohibition has destroyed inner cities around the world. Wake up, guys! Prohibition is evil, not drugs! Ignorance is evil, not education!

It's because of such reductive pseudoscience that America will allow us to shock the brains of the depressed but won't allow us to let them use the plant medicines that grow at their feet.

In a free world, almost all depressed individuals could do WITHOUT doctors: these adult human beings could handle their own depression with the informed intermittent use of a wide variety of psychoactive substances.

There are endless ways that psychoactive drugs could be creatively combined to combat addiction and a million other things. But the drug warrior says that we have to study each in isolation, and then only for treating one single board-certified condition.

Freud's real discovery was that drugs like cocaine could make psychiatry UNNECESSARY for the vast majority of people. The medical establishment hated the idea -- so they judged the drug based on its worst possible use!

How else will they scare us enough to convince us to give up all our freedoms for the purpose of fighting horrible awful evil DRUGS? DRUGS is the sledgehammer with which they are destroying American democracy.

In the 19th century, poets got together to use opium "in a series of magnificent quarterly carouses" (as per author Richard Middleton). When we outlaw drugs, we outlaw free expression.

William James knew that there were substances that could elate. However, it never occurred to him that we should use such substances to prevent suicide. It seems James was blinded to this possibility by his puritanical assumptions.


Click here to see All Tweets against the hateful War on Us






Puritanical Assumptions about Drug Use in the Entertainment Field
Why American Drug Policy is Insane


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Copyright 2025, Brian Ballard Quass Contact: quass@quass.com


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